| Koninklijk Concertgebouworkest | |
|---|---|
| Background information | |
| Also known as | Royal Concertgebouw Orchestra |
| Origin | Amsterdam, Netherlands |
| Genres | Classical |
| Occupations | Symphony orchestra |
| Years active | 1888-present |
| Website | www.concertgebouworkest.nl |
| Members | |
| Chief Conductor Mariss Jansons Conductor Emeritus Riccardo Chailly Conductor Laureate Bernard Haitink Honorary Guest Conductor Nikolaus Harnoncourt |
|
| Past members | |
| Founder Willem Kes |
|
The Royal Concertgebouw Orchestra (Dutch: Koninklijk Concertgebouworkest, pronounced [ˌkɔnɪnklək kɔnˈsɛrtɣəbʌu̯ɔrˌkɛst]) is a symphony orchestra of the Netherlands, based at the Concertgebouw (concert hall) in Amsterdam. In 1988, Queen Beatrix of the Netherlands conferred the "Royal" title upon the orchestra. In December 2008, a group of top critics invited by Gramophone ranked the Royal Concertgebouw Orchestra as the top symphony orchestra in the world.[1]
Contents |
The Concertgebouw opened on 11 April 1888. The Concertgebouw Orchestra, however, was not founded until a little later. It gave its first concert in the Concertgebouw on 3 November 1888 under the principal conductor for its first seven years, Willem Kes.
In 1895, Willem Mengelberg became chief conductor and remained in this position with the organization for fifty years, an unusually long tenure for a music director.[2] He is generally regarded as having brought the orchestra to a level of major international significance, with a particular championing of such then-contemporary composers as Gustav Mahler and Richard Strauss.
For approximately its first 75 years, the Concertgebouw Orchestra had a somewhat complicated roster of conductors. In addition to the chief conductor, the orchestra had conductor positions titled "eerste dirigent" ("first conductor"), who assisted the chief conductor with programming, and "tweede dirigent" ("second conductor"), who did "what he was told."[3] During Mengelberg's time as chief conductor, several of these first conductors included Karl Muck (1921–1925), Pierre Monteux (1924–1934), Bruno Walter (1934–1939), and Eugen Jochum (1941–1943). Musicians who served as "second conductor" included the composer Cornelis Dopper, Evert Cornelis and Eduard van Beinum.
In 1945, because of the controversy over his relationship with the Nazi occupying forces during the German occupation of the Netherlands during World War II, Mengelberg was removed as chief conductor and subsequently banned from conducting. The ban was initially imposed for the remainder of his life, but after an appeal, reduced to six years, applied retroactively from 1945. Mengelberg died in 1951 just before the end of his sentence, thus never conducting the orchestra after 1945.
From 1945 to 1959, the orchestra's principal conductor was Eduard van Beinum, who had debuted with the orchestra in 1929. He had become the second conductor of the orchestra in 1931, and co-principal conductor in 1938. One of his specialties was the symphonies of Anton Bruckner, and Van Beinum made commercial recordings with the orchestra of Bruckner's Eighth and Ninth Symphonies for the Philips Records. Van Beinum served as sole chief conductor of the orchestra after World War II until his sudden death on the Concertgebouw podium from a fatal heart attack in April 1959.
Bernard Haitink made his debut with the Concertgebouw Orchestra on 7 November 1956. After van Beinum's death, Haitink became the orchestra's first conductor in September 1959. From 1961 to 1963, Haitink and Eugen Jochum shared the post of chief conductor of the orchestra.[4] Haitink became sole chief conductor in 1963, and served in this post until 1988. At some point during Haitink's time, the conductor system was simplified to have an assistant conductor instead of first- and second-conductors. Conductors who served in this capacity included Edo de Waart and Hans Vonk. The recording profile of the orchestra increased most dramatically under Haitink, with many recordings for the Philips Records, as well as EMI and Columbia Records. In the early 1980s, the Dutch government threatened the orchestra with reductions in its government subsidy that could potentially have led to the dismissal of 23 musicians from the orchestra. Haitink threatened to resign in protest, and the financial situation was eventually settled.[5] In 1999, Haitink was named the orchestra's Conductor Laureate.
Riccardo Chailly made his debut with the Concertgebouw Orchestra in 1985, and was elected that year as their next chief conductor to succeed Haitink.[6] As the first non-Dutchman to hold the post, Chailly served as chief conductor from 1988 to 2004. His recordings with the orchestra include a complete Mahler and Brahms symphony cycle, several of the Bruckner symphonies. Besides he was a strong advocate of modern music and recorded shorter works of Shostakovich, the complete Kammermusiken of Paul Hindemith, and the orchestral works of Igor Stravinsky, Olivier Messiaen and Edgard Varèse. After his departure in 2004, Chailly was named Conductor Emeritus of the KCO.
The Latvian conductor Mariss Jansons made his KCO debut in 1988 and was elected chief conductor on 22 October 2002.[7] His tenure officially began on 1 September 2004, with an initial contract of 3 years. Premières during Janson's tenure have included Hans Werner Henze's Sebastian im Traum, a KCO co-commission. As of 2010, Jansons continues as chief conductor of the orchestra.
The orchestra enjoyed a close relationship with Gustav Mahler and championed many of his symphonies, with an especially worthy festival of his music being the 1920 Mahler Festival.[8] Other conductors who worked closely with the Concertgebouw Orchestra included Pierre Monteux, Eugen Jochum, George Szell and Kiril Kondrashin, who was the Permanent Guest Conductor from 1978 to 1981. More recently, Nikolaus Harnoncourt was named Honorary Guest Conductor of the KCO in 2000.
Another factor in creating the orchestra's distinct character is that the Concertgebouw Orchestra has had only six chief conductors, setting it apart from orchestras of similar age and caliber. With what has been described as its ‘velvet’ strings, the ‘golden’ brass sound and the exceptional timbre of the woodwinds, sometimes described as ‘typically Dutch’, the Concertgebouw Orchestra has won itself a place amongst the small, select group of top world orchestras.[9] The nearly one thousand recordings that the orchestra has to its credit have also contributed to this reputation. The orchestra also serves as one of the opera orchestras for productions at De Nederlandse Opera.
Jan Raes is the orchestra's executive director, as of 1 December 2008. Raes succeeded Jan Willem Loot, who retired in November 2008. Past artistic directors of the Concertgebouw Orchestra have included Rudolf Mengelberg, Marius Flothuis (1955–1974), and Peter Ruzicka. The present head of artistic administration for the orchestra is Joel Ethan Fried.
The KCO has begun to issue CDs on its own label, RCO Live, as conducted by Jansons and Haitink.[10]
The current leaders of the Concertgebouw Orchestra are:
|
|||||